
The TypoLyrics section in the German typography magazine
Slanted is an experiment in bringing together song texts and typography,
writes Yves Peters.
Slanted has turned this popular section into a book featuring
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‘‘There is No Why’, Alida Sayer’s current show (
Marsden Woo Gallery, ends 31 July) takes its title from a line in Kurt Vonnegut’s
Slaughterhouse-Five: ‘Well, here we are, Mr. Pilgrim, trapped in the amber of this moment.
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For me St Bride Library has long been an place of fascination and wonder,
writes Granta artistic director Michael Salu. I discovered the library a few years ago, while working as a designer at Random House. My first encounter with the oil, wood, metal and the smell of history made an indelible impression on me.
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Earlier this week I experienced the pleasures and pains of sitting on the international jury of the Brno Biennial 2010,
writes John L. Walters. The fun came from looking at lots of interesting international work (nothing from the UK) in the pleasant company of fellow jurors Alan Záruba, Igor Stanisljevic, Koichi Sato, Scott Santoro, Lizá Ramalho of R2, Karel Martens and Petr Babák.
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Jon Link and Mick Bunnage, the duo behind the mischievous
Modern Toss opened their ‘London Museum of Urban Shit-Naks Exhibition’ today in Shoreditch at the
Maverik Showroom.
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In ‘
Poundtastic bombastic’ Eye’s latest Web-only Critique,
Rick Poynor wonders whether it’s time for Poundland to ditch its ‘proletarian design’.
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Veronika Burian and José Scaglione launched their independent type foundry
TypeTogether in 2006.
Eye’s
Simon Esterson asked Burian about her experiences with
Typekit and her views on online typography in general.
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The fifteenth TYPO Berlin brought together some international heavyweight speakers over three balmy spring days at the Kongressehalle including
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Typeface, screened last week at the London College of Communication, is billed by its makers as documenting a convergence of modern design and traditional technique,
writes Sally Jeffery. In truth the film is
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The new
Times website,
thetimes.co.uk launched this morning,
writes Simon Esterson. There’s a month to sample it on free trial before it goes
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