Earlier this week, H5’s Logorama won the Academy Award for best animated short. Here’s the film, followed by Matt Soar’s review from the current issue of Eye. More »

Newspaper Club didn’t think they had a hope of following Shepard Fairey’s Obama poster and winning the Graphics category at the Brit Insurance Design of the Year 2010, writes Chloë King. It was always going be a tough choice More »

These campaign posters may never have been widely seen, but they should be, writes Sally Jeffery. They are up on the walls again now for ‘Ms Understood’, an exhibition at the Women’s Library in Whitechapel, London now extended until 17 April. More »

Eye visited The Chip Shop run by the Henningham Family Press at the launch of the London Word Festival, which started on Sunday 7 March 2010. More »

The sold-out ‘What’s On Your iPad’ event, organised jointly by the BSME (British Society of Magazine Editors) and the EDO (Editorial Design Organisation), attracted a broad mix of editors, publishers, designers and art directors, all curious to speculate about what the future might bring, More »

This article has been much quoted and Tweeted over the past couple of weeks, but if you haven’t seen it yet, we recommend you get hold of a copy More »

When Minos Zarifopoulos wrote about Athenian street signs in Eye 45, he worried that a project to remove modern billboards and other ‘visual disturbances’ could give the impression of ‘walking around an open-air museum of how Athens used to be’, writes John Ridpath. Eight years on, it’s still up for debate whether More »

Day two of the ‘Decoding the Digital’, conference at the Victoria and Albert Museum, London, kicked off with a change of scene, writes Liz Farrelly.

More »

‘It was all my favourite things in one place,’ says Anthony Burrill, delighted by his latest venture into the world of high fashion. More »

The first day of the ‘Decoding the Digital’ conference (Victoria and Albert Museum, London 4-5 February 2010) conference was ground-breaking, writes Liz Farrelly, welcoming a new V&A collection, and pointing up areas of art and design history that still need writing.

More »